SchichtWerk - Zeitreisen im Wersonhaus
(10 Reviews)

Gilching

Brucker Str. 11, 82205 Gilching, Deutschland

SchichtWerk - Time Travel in Wersonhaus | Opening Hours & Visit

SchichtWerk - Time Travel in Wersonhaus is not an ordinary local museum, but a deliberately staged access to Gilching's history. The exhibition combines archaeological finds, the development of the community, and the biography of a house that has itself become a historical testimony. According to the official website, SchichtWerk is the first museum in Gilching; the permanent exhibition was established by Zeitreise Gilching e.V. in four and a half years of volunteer work on behalf of the municipality of Gilching and with the support of the Bavarian State Office for Monument Preservation and the State Office for Non-State Museums. The concept relies on stratigraphy, meaning that history can be read in layers. Therefore, those who walk through the rooms experience not just a collection of individual objects, but a didactic model that creates a clearly narrated time travel from ground finds, house history, and local memory. This mixture of science, volunteer work, and local connection makes SchichtWerk so distinctive for Gilching. For visitors, this is particularly attractive because the themes do not remain abstract, but connect to concrete people, objects, and places from the community. This makes the museum relevant for families, cultural travelers, school classes, and local enthusiasts. ([schichtwerk-gilching.de](https://schichtwerk-gilching.de/de/das-museum/das-konzept))

Why SchichtWerk in Gilching is so special

The special charm of SchichtWerk lies in the rare combination of scientific communication and civic engagement. The carrier is Zeitreise Gilching e.V., an association that has been taking care of archaeological and historical communication on site for years and is visibly recognized on the museum's homepage with two awards: the Monument Protection Medal 2023 and the Tassilo Culture Prize 2018. These awards are not just decorative next to the name, but make it clear that a culturally perceived project has emerged in the region. The museum is also not just a showcase, but a learning place with a clear stance: The exhibition aims not only to show objects but to explain how the past is interpreted, how layers are formed, and why finds belong in a context. This is exactly why the texts and stations work so well together. The themes of Romans, Bavarians, and Wersonhaus are not chosen randomly, but form the core of the Gilching history that repeatedly condenses at the same points in the community. Therefore, those looking for a museum in Gilching will not find a random local cabinet here, but a precisely narrated, locally anchored time travel. This local anchoring is also strong for SEO, as it meaningfully connects search terms like SchichtWerk Gilching, Wersonhaus, Romans, Bavarians, and archaeology. ([schichtwerk-gilching.de](https://schichtwerk-gilching.de/))

The usage logic of the house also supports this character. Even the homepage shows that SchichtWerk is not thought of in isolation, but as part of a vibrant cultural offering: Current lectures, events, and other dates are announced via the association's page and the newsletter, and the navigation deliberately separates exhibitions, guided tours, and courses. This is important in terms of content because it covers several search intentions: Those looking for programs, opening hours, guided tours, children's offerings, school classes, or special exhibitions will land at a location that addresses these needs precisely. At the same time, the wording of the website invites participation. Visitors can look at, listen to, and try out the time of the Romans and Bavarians, embark on a discovery journey alone, or be guided through a varied hour. This mix of self-discovery and guided visits gives SchichtWerk a special accessibility. The location is thus perceived not only as a museum but as an active place of communication where history is repeatedly retold in the everyday life of the community. This makes the website content lively and simultaneously creates a stable foundation for search queries related to experience, education, and regional identity. ([schichtwerk-gilching.de](https://schichtwerk-gilching.de/))

The Wersonhaus and its history

The Wersonhaus itself tells a multifaceted story that begins even before its use as a museum. In 1914, the builder Melchior Fanger planned the house on the edge of the old village center; later, the country house was built by Eduard Forner and became known as Villa Forner. When Marie Lindemann bought the house in 1919, she moved in with the sculptor Jules Werson and the maid Maria Schmid. Already in 1920, an atelier extension was added, which had also been planned by Eduard Forner. In 1923, Lindemann transferred the house to Werson. These early stages are important because they show that the building was more than just living space from the beginning. It was a country house, an atelier, a retreat, and finally a place of artistic production. In the current presentation of SchichtWerk, this connection between architecture and biography is central, as the villa is not understood as a mere shell but as part of the narrated history of Gilching. The house has always been a place where private life, artistic work, and cultural public life intersected. This also helps to understand the current museum use because the rooms do not appear artificial but connect to an already existing cultural history. ([schichtwerk-gilching.de](https://schichtwerk-gilching.de/de/das-museum/das-ausstellungshaus))

The later use of the house also follows this mix of change and continuity. From 1950, Jules Werson held VHS events in his own house; later, he bequeathed the house to his wife Betty, the municipality of Gilching acquired the country house in 1981, and in 1988 the atelier extension was rebuilt in a modified form. Between 1986 and 2008, the social service Gilching-Argelsried used the house; after the renovation, the Wersonhaus was reopened in 2010, initially with the registry office on the ground floor as well as cemetery administration, archive, and gallery rooms on the upper floor. In 2016, the archive and cemetery administration moved to the new town hall, while the wedding room in Wersonhaus remained for marriages. Finally, in 2017, SchichtWerk opened on the upper floor. This sequence is crucial for the perception of the place: The building has repeatedly taken on new roles without losing its historical identity. This is also part of its fascination for visitors who are not only interested in exhibits but in the development of a house that unites art, administration, social work, and museum under one roof. From the visitor's perspective, a place emerges that is not museum-like and stagnant but has been used, remodeled, and rethought over more than a century. ([schichtwerk-gilching.de](https://schichtwerk-gilching.de/de/das-museum/das-ausstellungshaus))

The Permanent Exhibition on Romans and Bavarians

Content-wise, SchichtWerk focuses on the two defining epochs of Gilching, the Roman period and the Bavarian period. This is a clever focus because these two historical phases are particularly tangible in the region and are connected to concrete objects in the exhibition. Highlights include the restored grave goods of Kilti, the Roman milestone with interior, the Roman oil lamp to touch, the Caligula coin under the magnifying glass, a Groma for self-measuring, Kilti's pearl necklace to try on, and the document from 804 to read. Thus, the exhibition is not only visually interesting but explicitly interactive. The audience is encouraged to look, touch, try out, and additionally immerse themselves through audio stations. This participatory quality is an important feature for evaluating the location, as it distinguishes SchichtWerk from a purely text-heavy local museum. The exhibition functions as a small, well-curated experience, where archaeological content is connected to immediate observation. Those looking for a location related to Romans, Bavarians, and local archaeology will find an unusually dense offering in a relatively small space. This is also strong for SEO because the most important themes appear multiple times in a compact form: exhibition, participatory station, Romans, Bavarians, Gilching, Wersonhaus, and local history. ([schichtwerk-gilching.de](https://schichtwerk-gilching.de/de/das-museum/die-ausstellung))

Particularly exciting is the figure of Kiltis or Kiltine, which plays a central role in several museum-owned contributions. The three skeletons discovered during archaeologically accompanied construction work in 2012 became the starting point of the permanent exhibition and later also the subject of a new media and participatory station, where various scientific disciplines come together. According to the museum, investigations into DNA, grave goods, anthropology, and facial soft tissue reconstruction have been realized on the Kiltis. This makes it visible that archaeological research does not remain abstract but is tied to people, biographies, and concrete contexts of finds. The audio stations also fit this approach: They carry titles like Artebratix with the land surveyors, On the construction site of the Roman road, The mishap with the oil lamp, or The first documentary mention of Gilching. In total, a multimedia tour emerges that reveals Gilching's history from the Romans through the Bavarians to the early written transmission of 804. SchichtWerk thus shows not only objects but also makes the path from excavation to understanding comprehensible. Therefore, those interested in local archaeology are not only presented with results but also have the process of historical interpretation explained. ([schichtwerk-gilching.de](https://schichtwerk-gilching.de/de/das-museum/-kilti-wer-bist-du---neue-erkenntnisse-zur-dauerausstellung?utm_source=openai))

Opening Hours, Admission, Directions, and Accessibility

For visitor planning, the practical information is pleasantly clear. The official opening hours are on the 2nd Sunday of the month from 2 PM to 5 PM and on Tuesdays from 10 AM to 12 PM, not on public holidays; on Tuesdays, the opening does not take place during school holidays. Additionally, visits by appointment and on special dates are possible. Admission to the exhibition is free, but donations are appreciated, while guided tours through the exhibition are subject to a fee, and the price depends on the scope. This is particularly relevant for search intentions around opening hours, admission, and tickets because the website clearly signals that while the museum is freely accessible, guided formats represent a separate service. This distinction is helpful for groups, families, or school classes. The contact page also provides the museum's phone number and email address, allowing visitors to quickly clarify any questions. Overall, a picture emerges of a small but very well-organized cultural address that deliberately does not rely on mass operation but on planned opening and personal contact. Those planning a visit can therefore very specifically count on the 2nd Sunday of the month or the Tuesday dates while keeping special dates in mind. ([schichtwerk-gilching.de](https://schichtwerk-gilching.de/de/ihr-besuch/oeffnungszeiten?utm_source=openai))

The directions are also transparently presented: The address is Wersonhaus, Brucker Straße 11, 82205 Gilching. The same address appears on the official museum page and the community page, supplemented by the contact details of the museum director Annette Reindel. For an SEO landing page, this is particularly useful as it consistently brings together location, name, and place. At the same time, accessibility is openly described. The Wersonhaus is only very conditionally accessible because the rooms are located on the 1st floor and are therefore not accessible for wheelchair users. This information is important and should not be missing from any visitor page, as it directly influences planning decisions. Even though the website does not provide detailed information about parking or public transport hubs, it provides the essential key data for individual arrival with address, phone, and opening hours. Therefore, those wishing to visit the museum can already assess in advance when the visit is worthwhile and whether it should take place as a spontaneous individual visit, a firmly planned appointment, or a guided event. Especially in connection with the historic building and the fixed opening hours, a clear, trustworthy visitor framework emerges. ([schichtwerk-gilching.de](https://schichtwerk-gilching.de/de/ihr-besuch/anfahrt?utm_source=openai))

Guided Tours, Special Exhibitions, Volunteer Work, and Awards

SchichtWerk is also interesting because it is not limited to a single exhibition in terms of content. The homepage refers to a permanent exhibition on Romans and Bavarians, to the special and supplementary station Kilti, who are you?, as well as to the special exhibition A Good Part of Uniqueness - Life Paths of Early Archaeologists. The navigation also documents numerous previous special exhibitions, including stories around Wersonhaus, Cheers Gilching, Air War 1944: Scene of Gilching, Showing Attitude, Genesis - Man and Universe, Battle of Hoflach, and Euthanasia in the Starnberg District. This thematic breadth is remarkable because it shows how flexibly the house deals with historical, archaeological, and societal topics. For search queries related to programs, exhibitions, lectures, or special exhibitions, this is a clear advantage as the location is visible not only through its permanent exhibition but also through changing content. Additionally, the website explicitly structures the offerings for children, adults, and school classes. This makes it clear that SchichtWerk is not only a museum space but also an educational place and event address. This is particularly valuable for families, teachers, and culture-interested groups looking for a place with substance and repeat visit value. ([schichtwerk-gilching.de](https://schichtwerk-gilching.de/))

The public significance of SchichtWerk is further supported by several awards and recognitions. The homepage mentions the Monument Protection Medal 2023, with which the association Zeitreise Gilching e.V. was awarded for its diverse volunteer engagement in the research and communication of archaeology in Gilching. The website also lists the Tassilo Culture Prize 2018, which made SchichtWerk one of the twelve award winners from nearly 120 nominations. Since November 2020, the institution has belonged to the StarnbergAmmerSee region. Together, this creates a strong profile: SchichtWerk is a locally anchored, voluntarily supported museum that connects regional history, scientific communication, and cultural tourism. Especially for Gilching, this is an identity-forming place as it bridges the gap from early settlement history to today's community culture. Therefore, those who visit the location not only see exhibitions but also experience a form of historical work that has been developed from the community itself and continues to live on from there. This makes the address attractive not only for locals but also for visitors from the region and for history-interested day guests. ([schichtwerk-gilching.de](https://schichtwerk-gilching.de/))

Sources:

Show more

SchichtWerk - Time Travel in Wersonhaus | Opening Hours & Visit

SchichtWerk - Time Travel in Wersonhaus is not an ordinary local museum, but a deliberately staged access to Gilching's history. The exhibition combines archaeological finds, the development of the community, and the biography of a house that has itself become a historical testimony. According to the official website, SchichtWerk is the first museum in Gilching; the permanent exhibition was established by Zeitreise Gilching e.V. in four and a half years of volunteer work on behalf of the municipality of Gilching and with the support of the Bavarian State Office for Monument Preservation and the State Office for Non-State Museums. The concept relies on stratigraphy, meaning that history can be read in layers. Therefore, those who walk through the rooms experience not just a collection of individual objects, but a didactic model that creates a clearly narrated time travel from ground finds, house history, and local memory. This mixture of science, volunteer work, and local connection makes SchichtWerk so distinctive for Gilching. For visitors, this is particularly attractive because the themes do not remain abstract, but connect to concrete people, objects, and places from the community. This makes the museum relevant for families, cultural travelers, school classes, and local enthusiasts. ([schichtwerk-gilching.de](https://schichtwerk-gilching.de/de/das-museum/das-konzept))

Why SchichtWerk in Gilching is so special

The special charm of SchichtWerk lies in the rare combination of scientific communication and civic engagement. The carrier is Zeitreise Gilching e.V., an association that has been taking care of archaeological and historical communication on site for years and is visibly recognized on the museum's homepage with two awards: the Monument Protection Medal 2023 and the Tassilo Culture Prize 2018. These awards are not just decorative next to the name, but make it clear that a culturally perceived project has emerged in the region. The museum is also not just a showcase, but a learning place with a clear stance: The exhibition aims not only to show objects but to explain how the past is interpreted, how layers are formed, and why finds belong in a context. This is exactly why the texts and stations work so well together. The themes of Romans, Bavarians, and Wersonhaus are not chosen randomly, but form the core of the Gilching history that repeatedly condenses at the same points in the community. Therefore, those looking for a museum in Gilching will not find a random local cabinet here, but a precisely narrated, locally anchored time travel. This local anchoring is also strong for SEO, as it meaningfully connects search terms like SchichtWerk Gilching, Wersonhaus, Romans, Bavarians, and archaeology. ([schichtwerk-gilching.de](https://schichtwerk-gilching.de/))

The usage logic of the house also supports this character. Even the homepage shows that SchichtWerk is not thought of in isolation, but as part of a vibrant cultural offering: Current lectures, events, and other dates are announced via the association's page and the newsletter, and the navigation deliberately separates exhibitions, guided tours, and courses. This is important in terms of content because it covers several search intentions: Those looking for programs, opening hours, guided tours, children's offerings, school classes, or special exhibitions will land at a location that addresses these needs precisely. At the same time, the wording of the website invites participation. Visitors can look at, listen to, and try out the time of the Romans and Bavarians, embark on a discovery journey alone, or be guided through a varied hour. This mix of self-discovery and guided visits gives SchichtWerk a special accessibility. The location is thus perceived not only as a museum but as an active place of communication where history is repeatedly retold in the everyday life of the community. This makes the website content lively and simultaneously creates a stable foundation for search queries related to experience, education, and regional identity. ([schichtwerk-gilching.de](https://schichtwerk-gilching.de/))

The Wersonhaus and its history

The Wersonhaus itself tells a multifaceted story that begins even before its use as a museum. In 1914, the builder Melchior Fanger planned the house on the edge of the old village center; later, the country house was built by Eduard Forner and became known as Villa Forner. When Marie Lindemann bought the house in 1919, she moved in with the sculptor Jules Werson and the maid Maria Schmid. Already in 1920, an atelier extension was added, which had also been planned by Eduard Forner. In 1923, Lindemann transferred the house to Werson. These early stages are important because they show that the building was more than just living space from the beginning. It was a country house, an atelier, a retreat, and finally a place of artistic production. In the current presentation of SchichtWerk, this connection between architecture and biography is central, as the villa is not understood as a mere shell but as part of the narrated history of Gilching. The house has always been a place where private life, artistic work, and cultural public life intersected. This also helps to understand the current museum use because the rooms do not appear artificial but connect to an already existing cultural history. ([schichtwerk-gilching.de](https://schichtwerk-gilching.de/de/das-museum/das-ausstellungshaus))

The later use of the house also follows this mix of change and continuity. From 1950, Jules Werson held VHS events in his own house; later, he bequeathed the house to his wife Betty, the municipality of Gilching acquired the country house in 1981, and in 1988 the atelier extension was rebuilt in a modified form. Between 1986 and 2008, the social service Gilching-Argelsried used the house; after the renovation, the Wersonhaus was reopened in 2010, initially with the registry office on the ground floor as well as cemetery administration, archive, and gallery rooms on the upper floor. In 2016, the archive and cemetery administration moved to the new town hall, while the wedding room in Wersonhaus remained for marriages. Finally, in 2017, SchichtWerk opened on the upper floor. This sequence is crucial for the perception of the place: The building has repeatedly taken on new roles without losing its historical identity. This is also part of its fascination for visitors who are not only interested in exhibits but in the development of a house that unites art, administration, social work, and museum under one roof. From the visitor's perspective, a place emerges that is not museum-like and stagnant but has been used, remodeled, and rethought over more than a century. ([schichtwerk-gilching.de](https://schichtwerk-gilching.de/de/das-museum/das-ausstellungshaus))

The Permanent Exhibition on Romans and Bavarians

Content-wise, SchichtWerk focuses on the two defining epochs of Gilching, the Roman period and the Bavarian period. This is a clever focus because these two historical phases are particularly tangible in the region and are connected to concrete objects in the exhibition. Highlights include the restored grave goods of Kilti, the Roman milestone with interior, the Roman oil lamp to touch, the Caligula coin under the magnifying glass, a Groma for self-measuring, Kilti's pearl necklace to try on, and the document from 804 to read. Thus, the exhibition is not only visually interesting but explicitly interactive. The audience is encouraged to look, touch, try out, and additionally immerse themselves through audio stations. This participatory quality is an important feature for evaluating the location, as it distinguishes SchichtWerk from a purely text-heavy local museum. The exhibition functions as a small, well-curated experience, where archaeological content is connected to immediate observation. Those looking for a location related to Romans, Bavarians, and local archaeology will find an unusually dense offering in a relatively small space. This is also strong for SEO because the most important themes appear multiple times in a compact form: exhibition, participatory station, Romans, Bavarians, Gilching, Wersonhaus, and local history. ([schichtwerk-gilching.de](https://schichtwerk-gilching.de/de/das-museum/die-ausstellung))

Particularly exciting is the figure of Kiltis or Kiltine, which plays a central role in several museum-owned contributions. The three skeletons discovered during archaeologically accompanied construction work in 2012 became the starting point of the permanent exhibition and later also the subject of a new media and participatory station, where various scientific disciplines come together. According to the museum, investigations into DNA, grave goods, anthropology, and facial soft tissue reconstruction have been realized on the Kiltis. This makes it visible that archaeological research does not remain abstract but is tied to people, biographies, and concrete contexts of finds. The audio stations also fit this approach: They carry titles like Artebratix with the land surveyors, On the construction site of the Roman road, The mishap with the oil lamp, or The first documentary mention of Gilching. In total, a multimedia tour emerges that reveals Gilching's history from the Romans through the Bavarians to the early written transmission of 804. SchichtWerk thus shows not only objects but also makes the path from excavation to understanding comprehensible. Therefore, those interested in local archaeology are not only presented with results but also have the process of historical interpretation explained. ([schichtwerk-gilching.de](https://schichtwerk-gilching.de/de/das-museum/-kilti-wer-bist-du---neue-erkenntnisse-zur-dauerausstellung?utm_source=openai))

Opening Hours, Admission, Directions, and Accessibility

For visitor planning, the practical information is pleasantly clear. The official opening hours are on the 2nd Sunday of the month from 2 PM to 5 PM and on Tuesdays from 10 AM to 12 PM, not on public holidays; on Tuesdays, the opening does not take place during school holidays. Additionally, visits by appointment and on special dates are possible. Admission to the exhibition is free, but donations are appreciated, while guided tours through the exhibition are subject to a fee, and the price depends on the scope. This is particularly relevant for search intentions around opening hours, admission, and tickets because the website clearly signals that while the museum is freely accessible, guided formats represent a separate service. This distinction is helpful for groups, families, or school classes. The contact page also provides the museum's phone number and email address, allowing visitors to quickly clarify any questions. Overall, a picture emerges of a small but very well-organized cultural address that deliberately does not rely on mass operation but on planned opening and personal contact. Those planning a visit can therefore very specifically count on the 2nd Sunday of the month or the Tuesday dates while keeping special dates in mind. ([schichtwerk-gilching.de](https://schichtwerk-gilching.de/de/ihr-besuch/oeffnungszeiten?utm_source=openai))

The directions are also transparently presented: The address is Wersonhaus, Brucker Straße 11, 82205 Gilching. The same address appears on the official museum page and the community page, supplemented by the contact details of the museum director Annette Reindel. For an SEO landing page, this is particularly useful as it consistently brings together location, name, and place. At the same time, accessibility is openly described. The Wersonhaus is only very conditionally accessible because the rooms are located on the 1st floor and are therefore not accessible for wheelchair users. This information is important and should not be missing from any visitor page, as it directly influences planning decisions. Even though the website does not provide detailed information about parking or public transport hubs, it provides the essential key data for individual arrival with address, phone, and opening hours. Therefore, those wishing to visit the museum can already assess in advance when the visit is worthwhile and whether it should take place as a spontaneous individual visit, a firmly planned appointment, or a guided event. Especially in connection with the historic building and the fixed opening hours, a clear, trustworthy visitor framework emerges. ([schichtwerk-gilching.de](https://schichtwerk-gilching.de/de/ihr-besuch/anfahrt?utm_source=openai))

Guided Tours, Special Exhibitions, Volunteer Work, and Awards

SchichtWerk is also interesting because it is not limited to a single exhibition in terms of content. The homepage refers to a permanent exhibition on Romans and Bavarians, to the special and supplementary station Kilti, who are you?, as well as to the special exhibition A Good Part of Uniqueness - Life Paths of Early Archaeologists. The navigation also documents numerous previous special exhibitions, including stories around Wersonhaus, Cheers Gilching, Air War 1944: Scene of Gilching, Showing Attitude, Genesis - Man and Universe, Battle of Hoflach, and Euthanasia in the Starnberg District. This thematic breadth is remarkable because it shows how flexibly the house deals with historical, archaeological, and societal topics. For search queries related to programs, exhibitions, lectures, or special exhibitions, this is a clear advantage as the location is visible not only through its permanent exhibition but also through changing content. Additionally, the website explicitly structures the offerings for children, adults, and school classes. This makes it clear that SchichtWerk is not only a museum space but also an educational place and event address. This is particularly valuable for families, teachers, and culture-interested groups looking for a place with substance and repeat visit value. ([schichtwerk-gilching.de](https://schichtwerk-gilching.de/))

The public significance of SchichtWerk is further supported by several awards and recognitions. The homepage mentions the Monument Protection Medal 2023, with which the association Zeitreise Gilching e.V. was awarded for its diverse volunteer engagement in the research and communication of archaeology in Gilching. The website also lists the Tassilo Culture Prize 2018, which made SchichtWerk one of the twelve award winners from nearly 120 nominations. Since November 2020, the institution has belonged to the StarnbergAmmerSee region. Together, this creates a strong profile: SchichtWerk is a locally anchored, voluntarily supported museum that connects regional history, scientific communication, and cultural tourism. Especially for Gilching, this is an identity-forming place as it bridges the gap from early settlement history to today's community culture. Therefore, those who visit the location not only see exhibitions but also experience a form of historical work that has been developed from the community itself and continues to live on from there. This makes the address attractive not only for locals but also for visitors from the region and for history-interested day guests. ([schichtwerk-gilching.de](https://schichtwerk-gilching.de/))

Sources:

Frequently Asked Questions

Reviews

NN

Nica Nario

14. May 2023

Today was our first time at SchichtWerk. We were lucky to randomly listen to Mrs. Reindl's additions to the exhibits. She runs the museum with passion!❣️ Admission is free. Opening hours: - On the 2nd Sunday of the month from 2-5 PM (not on holidays) - Every Tuesday from 10 AM to 12 PM (not during school holidays and on holidays)

DM

Dieter Hornung ERGO Geschäftsstelle München

11. February 2024

My wife and I visited Schichtwerk today with friends. Mrs. Reindl took the time to guide us through the special exhibition "Kilti, who are you?" Super interesting and explained in a very engaging way. Thank you from the Hornung family and friends!

MK

Markus Kirsch

15. August 2017

Very informative and well-made small exhibition about the ancient history of Gilching! A small guided tour by a knowledgeable member of the Schichtwerk association is highly recommended! Otherwise, you can also explore the different layers (drawers) of the exhibition on your own and get informed. Anyone who has worked their way through Schichtwerk will walk a bit more reverently over the historical ground of Gilching in the future!

UB

Ulrich Bähr

12. November 2018

A professionally made small museum about Romans and Bavarians in Gilching. Absolutely worth seeing. Adults can constantly discover new things, and there are really lovely offerings for children.

RD

Ralf Domschat

24. September 2022

A small, fine museum, really recommended for young and old.