TRIO E.T.A. invites to musical time jumps in Tutzing


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TRIO E.T.A. brings musical time jumps to Tutzing
On Sunday, October 4, 2026, the Friends of Music Tutzing invite you to a special chamber concert in the music hall of the Protestant Academy Tutzing. The young piano trio TRIO E.T.A. presents a program entitled Time Jumps featuring works by Maurice Ravel, Joseph Haydn, and Robert Schumann.
Three instruments, one common breath
Piano, violin, and cello engage in a finely tuned dialogue. The instrumentation combines the intimacy of chamber music with great tonal color: sparkling piano figures, lyrical lines of the violin, and the warm depth of the cello come together to form a precise orchestral miniature.
Between Classicism, Romanticism, and French sonic poetry
The concert program explores different musical eras and aesthetic worlds. Haydn's classical clarity meets Schumann's emotional romanticism, while Ravel's refined harmony and transparent sound language open up new tonal shades. At its center is the art of synchronization, conducting without a conductor, and collective listening.
An award-winning ensemble on the rise
TRIO E.T.A. was founded in 2019 in Hamburg and consists of Elene Meipariani on violin, Nadja Reich on cello, and Till Hoffmann on piano. The ensemble won the prize of the German Music Competition in 2021, was included in the SWR2 New Talent development program, and received the first prize and the Hitzacker Début Prize at the International Chamber Music Competition in Osaka in 2026.
Performances have taken the trio to venues including the Elbphilharmonie Hamburg, the Musikverein Vienna, Wigmore Hall London, and Suntory Hall Tokyo. Its stage performance combines technical sovereignty with immediate musical communication and an intense live atmosphere.
Concert experience in the music hall of Tutzing Castle
The music hall of the Protestant Academy Tutzing provides the ideal setting for this focused chamber music experience. In the special acoustics of this historic venue, dynamic nuances, quiet interspaces, and the richly colored orchestration of the piano trio come to the fore.
Audiences can expect an evening concert of classical elegance, romantic intimacy, and modern sound sensitivity. Those who wish to experience the tension of a live chamber music dialogue will find an evening full of contrasts and musical closeness in Time Jumps.
Conclusion: Chamber music with tension and sonic depth
TRIO E.T.A. connects three epochs, three instruments, and a remarkable interpretive presence. On October 4, 2026, Tutzing will become a meeting point for all those who want to experience Ravel, Haydn, and Schumann in a lively, detail-rich stage performance. This concert deserves to be not just heard, but experienced live.
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