Concerto delle Donne Celebrates Baroque Debut in St. Stephan
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Baroque Love Sounds at the Debut of Concerto delle Donne
On Saturday, October 10, 2026, St. Stephan in Dießen am Ammersee will transform into a special sound space for historical performance practice. Matija Chlupacek and the Ensemble Concerto delle Donne present their debut at the Dießen Münster concerts and take the audience on an amorous musical journey through the 17th and 18th centuries.
A Journey into the Secret World of Love
What did love songs sound like 400 years ago? What hidden messages do Concerti Grossi by Arcangelo Corelli carry? And how does a Renaissance love text change when it resonates today? These questions form the emotional core of the concert evening. Works by Corelli, Antonio Vivaldi, and Alessandro Scarlatti connect elaborate orchestration, expressive melodies, and the colorful sound language of the Baroque.
Historical Sound Colors and Lively Stage Performance
Matija Chlupacek leads the concert as a recorder player and singer. The musician studied at the Mozarteum in Salzburg and regularly performs on international stages, among others with the Ensemble Interchange, which was awarded at the German Music Competition 2024. In St. Stephan, his conducting meets the chamber music precision of the Ensemble Concerto delle Donne.
The historical performance practice places details in the spotlight: fine articulation, transparent voice leading, and immediate communication between the musicians and the space. The acoustics of the church support the delicate lines as well as the dramatic tension arcs of the Baroque music.
Music with a Social Idea
Concerto delle Donne sees itself as an Old Music Social Body. Female musicians from Europe come together to combine their passion for historical music with a social cause. Parts of the concert proceeds are donated to women's and girls' shelters. Thus, the concert title gains a social significance in addition to its musical one.
Festive Live Atmosphere in St. Stephan
The church space creates the right stage for a concert experience between intimacy and festive expanse. The audience and ensemble experience the music up close, while Baroque sound colors, warm spatial acoustics, and concentrated audience atmosphere combine for an extraordinary evening.
Conclusion: Visitors can expect a debut concert with Baroque elegance, historical sound language, and a clear social message. Anyone who wants to experience Corelli, Vivaldi, and Scarlatti in a cozy church setting should discover this special concert evening in Dießen live.
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